Three villas suspended above Paros
The La Vitalite complex, perched on the island of Paros, brings together three luxury villas designed to celebrate the relationship with the outdoors. Each has vast terraces opening onto the Aegean Sea, and gardens that reflect the philosophy of high-end retreat for which the Cyclades are known.
To orchestrate this outdoor staging, the architects chose to draw on several Vondom signatures. Four emblematic collections answer one another from one terrace to the next, forming a cosmopolitan yet coherent whole.
Blow by Stefano Giovannoni, a playful spirit
On one of the terraces, the Blow collection by Stefano Giovannoni brings a singular freshness. Its organic forms and generous curves create a relaxed, almost playful atmosphere, suited to contemplation as much as to end-of-day conversation.
Giovannoni's approach suits the Cycladic spirit perfectly: it embraces a certain cheerfulness without ever taking the easy way out. Blow acts here as a balancing point against the more restrained character of the other collections.
Love and Ibiza, the conversation continues
Another terrace sets the ergonomic, welcoming Love chair in dialogue with the Mari-Sol table, sophisticated in its line. Together they provide an ideal setting for an outdoor dinner or a long conversation at sunset.
On the neighbouring terrace, it is the Ibiza chair that in turn engages with Mari-Sol, an Eugeni Quitllet signature for Vondom. The same furniture, read differently from one villa to another, creates a common signature without making the message uniform.
At the poolside, the reign of Ibiza and Voxel
Near the first pool, the Ibiza sun loungers invite you to let go. Their clean silhouette and generous comfort form a holiday alphabet, simple and instantly recognisable.
Around another pool, the sun loungers from the Voxel collection by Karim Rashid take over. Their sharper geometry adds an exotic, almost graphic note that contrasts with the surrounding Cycladic minimalism.
Venus by Marcel Wanders, a sculpted welcome
At the entrance to the complex, the Venus plant pot by Marcel Wanders sets the first impression. Its curved, fluid, contemporary silhouette acts as an identity marker: you are entering a place where design is not an accessory but a guiding thread.
Wanders's sculptural, refined touch engages with the architecture of the villas and creates a gentle transition between the public minimum and the intimacy of the terraces. Venus plays the role of a sensory threshold.
A multi-collection outdoor choreography
La Vitalite illustrates a deliberate approach to outdoor furniture: rather than a single collection repeated across the whole project, it is a carefully curated assortment that defines the quality of the welcome. Each terrace becomes a particular scene with its own formal vocabulary.
This plurality does not harm the overall coherence: all the pieces share the Vondom DNA, namely a generous design, materials made for outdoor use and care for manufacturing details. The result is a true setting for a high-end holiday in Paros.
